Dance music is about the beat\u2014no one denies it. Beyond the beat, electronic dance music has, over the last decade or so, also been about the BPM and the occasional mixing of genres, as when Diplo embraced trap and moombahton. But as the major commercial wave of EDM has rolled back a bit, other sounds in the broader electronic genre have begun to get more attention. <\/p>\n\n\n\n
Some of these sounds being heard in 2019 come from more recent underground scenes. Others that have existed in other niche genres for a while, or even had their heyday in other decades. And while house and its sub-genres arguably remain the most popular styles of today’s EMD production, below, we take a look at a few artists who are helping to define this year\u2019s exciting array of electronic dance music sounds.<\/p>\n\n\n\n
In a lot of the electronic dance music of the last decade-plus, the emphasis has been more on the beat and the bass than anything, and on creating sonic mayhem, whether it\u2019s a mainstream act like Skrillex or someone more experimental like Oneohtrix Point Never. And if the results aren\u2019t bombastic, then they might be something like the minimalist techno coming out of Berlin, which largely eschews melody. But a look back at Jamie Principle and Frankie Knuckles iconic house track \u201cYour Love\u201d also shows the value of a great melodic hook in creating a lasting dance record, but also a song that can get people moving on the dance floor.<\/p>\n\n\n\n
Like the Gqom genre aesthetic, Afrobeat has been around for a while. A blend of hip-hop, funky house, and local African music from London (via Africa diaspora), Ghana, and Nigeria, Afrobeat had originally been fairly limited to parts of the African continent and the UK, but it\u2019s catching fire internationally. British-Ghanian artist Mista Silva\u2019s \u201cMurda\u201d is a great example of the Afrobeats vibe, which sounds almost like a more rhythmically and sonically diverse musical cousin of Reggaeton.<\/p>\n\n\n\n
Originating in the UK and Germany in the late 1980s and early 1990s, before devolving into self-parody, trance is by no means fashionable. The Field might have released a sliced and diced variant of trance back in the late 2000s, but it\u2019s not as if people are clamoring for the sound. And yet, Tale of Us recently dropped an amazing remix of \u201cCafe del Mar,\u201d an iconic trance track produced by Energy 52.<\/p>\n\n\n\n
Both house and techno are four decades old now, so a big part of keeping these genres and their various offshoots fresh, is experimentation. In 2019, plenty of artists are doing just that, whether it\u2019s finding refreshing sounds and textures, or collapsing genres to find new forms of expression.<\/p>\n\n\n\n
Take the track \u201cOral Couture.\u201d An industrial bassline throbs rhythmically until a crystalline synthesizer arpeggio enters the mix. While a lot of artists might quickly drop the beat, JASSS lets this mixture unfold like a music cue from a science fiction or horror film, and brings the beat in around the 2-minute mark. It\u2019s a masterful approach to dancefloor sounds, and really seems like the electronic dance music that permeate the clubs of the future. <\/p>\n","protected":false},"excerpt":{"rendered":"
Dance music is about the beat\u2014no one denies it. Beyond the beat, electronic dance music has, over the last decade or so, also been about the BPM and the occasional mixing of genres, as when Diplo embraced trap and moombahton. But as the major commercial wave of EDM has rolled back a bit, other sounds …<\/p>\n","protected":false},"author":1,"featured_media":980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[7,8,17],"class_list":["post-976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-club","tag-music","tag-popular"],"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"thepage-wp","author_link":"https:\/\/www.thepage-music.com\/?author=1"},"_links":{"self":[{"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/wp\/v2\/posts\/976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=976"}],"version-history":[{"count":0,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/wp\/v2\/posts\/976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepage-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}